張永良師傅
1920–2020
Master Zhang Youngliang, was born in 1920. He started his martial arts training at age of 5, until 14.
Recent Posts
volley jin 2.0
Volley jin.
Known by other names “kong jin” or what some call “empty force”
Master Chen Weihong
“陳奕宏”
?–2015
Very modest, highly skilled taiji teacher.
Taught his taiji in one of the many small parks in Hsinchu, Taiwan.
Shifu Peter Tam Hoy
A young “Jedi” in the making Shifu Peter Tam Hoy, or just Peter, as he had asked to be addressed at the time I had met him.
Master David Chin
A pioneer in Chinese Martial Arts,
A traditional based Shifu, adapting his art in the traditional way of past masters to the realities of todays fighting contest.
Mantis
Do you want to try your White Crane against my student? My first introduction on a hot, humid summer day in Korea to a style and teacher who had used his art during and after the Korean war. The teacher a medium sized Korean man nothing really special stood out except for his eyes. People […]
Northern Mantis
Northern Mantis a unique style developed and proven in China’s past with a rich and long history. Paul Brennan’s, in depth translation gives a look back into the history and times surrounding the creation of the style
Master Park Chi-Moon
“was born in 1930 in what is now North Korea. He first began studying gong fu within his family at a very young age (around 7 or 8 years old). He later traveled around the Korean peninsula studying under any master he could find. At that time he met his main master, shifu Lin Ping Jiang.
Tibetan White Crane
白鶴派 The beginnings of White Crane A Tibetan monk ” lama” deep in mediation. “For several years the lama monk Ah Dat-Ta “阿達陀“ retreated to the mountains to live in seclusion, studying Buddhist texts and practicing meditation. He also hoped to improve his martial art skill. One day Ah Dat-Ta’s meditation was disturbed by a […]
Tsang Lu
Named after the Heron
Taiji theory and movement, unique foot work and long arm of Tibetan White Crane.
Balance
Central equilibrium, the force of equilibrium. MIYOKO SHIDA RIGOLO –ZEN JAPANESE DANCER Watching her movements one should understand that she is part of the demo. She must be empty, in other words, she must remove her self from the demo in order to allow “it” to achieve its own equilibrium through her. 觀看她的動作應該明白:她是演示的一部分。 她必須是空的，換句話說，她必須從演示中移除她的自我，以便讓“它”透過她實現自己的平衡。 […]
